Fine Art Dealers in London

If you are looking for a fine art dealer london in London, you have come to the right place. The city is filled with art dealers and galleries. From a small gallery in the East End to an established gallery in Chelsea, London has a wide range of options. The most popular choices include FROST & REED, Peter Delme, Basil Lewis Dighton, and Robert Seymour-Conway.

Peter Delme

Fine art dealer Peter Delme has been dealing in art for over 50 years. In addition to dealing in fine art, he is also a professor, writer, lecturer, and curator. He has published over 600 articles on photography and has lectured at colleges and universities around the world. He has also served on the photography committee for the Guggenheim Museum and served on the faculty of the School of Visual Arts.

Basil Lewis Dighton

Fine art dealer Basil Lewis Dighton is one of the most famous and best-known figures in the world of art. During the First World War, he made a fortune buying antique furniture. When Shrager decided to buy a collection of antique furniture, he went to Dighton in London for advice. Dighton helped Shrager purchase about 500 different items. Upon closer examination, he discovered that one of the collector’s pieces was a fake. In his quest to recover his investment, Shrager sued Basil Dighton for gross over-priced items.

Robert Seymour-Conway

Robert Seymour-Conway, a fine art dealer in London, was born in 1908. His father, the 4th marquess of Hertford, was a painter and a collector. He spent many years in France, where he acquired priceless French paintings and decorative works. In fact, his collection includes many works from the ancien régime, including paintings such as The Swing (1767), which is considered a masterwork of the Roccoco style.

Robert Seymour-Conway’s latest exhibition pays tribute to the chalk downland of South Wiltshire, an area renowned for its spectacular beauty. His paintings are made using en plein air techniques, using his Land Rover as a mobile studio. The results are bold and dramatic. They bear witness to the passing weather and often include towering skies.

His art collection contains works by George ALLAN, a famous antiquary and collector. He was a patron of Gainsborough’s works and also owned some anonymous pastels. He bequeathed one to the NPG, London, and another to the Rijksmuseum in 1927.


The history of FROST & REED goes back over two hundred years. Founded in 1808, the company is one of the oldest dealers in Britain. In that time, the business has undergone a series of transformations. It survived the two world wars, a great recession and boom periods. Through it all, it has survived and thrived.

The company is a major art dealer, with branches in London and New York. It exhibits at major art fairs around the world and has an expansive stock of contemporary artists’ works. It also has a large collection of Impressionist and Post-Impressionist oil and watercolours. This makes it one of the best choices for discerning buyers. The firm has also been an important supporter of the arts in the UK and the United States.

The firm has been representing Scottish contemporary painter Peter Smith since 1983. His work is popular with collectors and is a perennial favorite at Frost & Reed’s annual show in Saratoga Springs. Peter Smith’s recent London exhibition was well received. In New York, the company will show works by Peter Smith and Booth Malone.


Agnew’s Fine Art Dealers in London is a long-established fine art business. Recently, the firm closed its gallery on Albemarle Street, but will be trading again under new owners, including Anthony Crichton-Stuart, a former director of the Old Master Paintings department at Christie’s in New York. The business was founded in Manchester in 1817 and opened its London gallery in 1860. Its clients have included Baron Thyssen-Bornemisza and Paul Mellon.

The firm has a history of selling fine art and has placed masterpieces in major collections and museums worldwide. The company is run by Lord Anthony Crichton-Stuart, who has built upon the foundation laid by his grandfather Thomas Agnew. Lord Crichton-Stuart has reinvigorated the company’s legacy and is committed to celebrating the diversity of art. Its galleries showcase a wide variety of works by great artists, from the 19th Century to contemporary artists.

Agnews has a focus on female artists in Western art history. Its latest major exhibition, Women, re-introduced Lotte Laserstein’s oeuvre, which had been virtually ignored for 30 years. The show has helped to increase awareness of this great woman artist, who was unjustly overlooked in the 20th Century.


The Solomon GAUTIER Fine art dealer in London has been a leading name in the world of art since the late eighteen hundreds. He has an extensive and prestigious collection of European and American paintings and sculpture. His firm deals in old master paintings, furniture, and objets d’art. The company is currently run by his son.

Walter GAY

Walter Gay was an American artist and fine art dealer. He painted interiors in Paris’s Chateau du Breau. His work is included in the collections of the Frick Art and Historical Center. He received several commissions for his paintings. He died in Paris in 1937. His works were exhibited throughout the world.

Gay’s early years were spent in Massachusetts. He studied painting under a Boston artist, Winkworth Allen Gay, who encouraged him to pursue art. In 1873, he met William Morris Hunt, who directed him to study in Paris. He married Matilda E. Travers, a wealthy New York investor, in 1889. The couple had three children and moved to Paris in 1894.

Walter Gay was born in 1856 in Hingham, Massachusetts. His artistic career began in the 1870s. He studied under the French academic painter Leon Bonnat and visited the Barbizon Academy. He began to paint genre scenes of pious peasants and the interiors of houses and rooms. However, he focused more on the tones and textures of his subjects than capturing their figures.

Gay also painted a number of interiors for rich American collectors. His paintings included a variety of domestic environments, such as opulent silk wall coverings, eighteenth-century French furniture, tapestries, and sculptures. His paintings reflect his own collecting habits and reflect his clients’ perspectives on the past.

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